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insecula > Places > National Gallery > Flemish and Northern Painting > Peter Paul Rubens


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Peter Paul Rubens
Section 3 on 3

Place : National Gallery
Flemish and Northern Painting
Main Building - First Floor - Section 29
Relationship with : Petrus Paulus Rubens

Area related : Flandres

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Painting in Flanders was dominated during this period by Peter Rubens who, having spent eight years in Italy, returned to Antwerp in the winter of 1608. There, he demonstrated a mastery of both the styles learned in Italy and local Flemish painting traditions.

   Description   

His consequent success won him the position of court painter to the rulers of Spanish Netherlands, and became an international celebrity.

Rubens progressed from a Caravaggio-inspired use of strong darks and lights to a Venetian coloristic style of more broadly painted, blurring brushwork. He encountered 16th-century Venetian paintings belonging to Spanish collectors during a trip to Spain in 1628. His knowledge of ancient art and literature informed his learned, though sometimes humorous recreations of classical mythology and history.

Rubens made vigorous oil sketches when inventing his compositions. This was also the approach favored by his one-time pupil Anthony van Dyck, who went on to make his master's style still more popular and successful.


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Classification by : artists | type | periods | material

Jacob Jordaens (1593-1678)
The Holy Family and Saint John the Baptist Importance
Thème religieux
Dimensions : 93 cm x 123 cm
approx. from 1620 to 1625

Petrus Paulus Rubens (1577-1640)
Samson and Delilah Importance
Thème biblique
Dimensions : 2,05 m x 1,85 m
approx. from 1609 to 1610
The Beaheading of Daint John the Baptist Importance
Thème religieux
approx. from 1608 to 1609
Peasants with Cattle by a Stream in a Woody Landscape Importance
The Watering Place
Landscape
Dimensions : 134 cm x 99 cm
approx. from 1615 to 1622
Apotheosis of King James I Importance
Sketch for the ceiling of the Banqueting House, Whitehall
Allégorie
from 1629 to 1630
The Massacre of the Innocents Importance
Thème religieux
Dimensions : 1,42 m wide
approx. from 1611 to 1612
The Adoration of the Kings Importance
Thème religieux
from 1610 to 1612
Minerva and Mercury conduct the Duke of Buckingham to the Temple of Virtue Importance
An Allegory with the Duke of Buckingham
Allegory
Dimensions : 64 cm x 64 cm
near 1624
The Judgement of Paris Importance
Judgement of the Goddesses
Thème mythologique
Dimensions : 1,94 m x 1,45 m
approx. from 1632 to 1635
A Roman Triumph Importance
Thème historique
Dimensions : 164 cm x 87 cm
near 1630
A Shepherd with his Flock in a Woody Landscape Importance
Paysage
Dimensions : 94 cm x 64 cm
approx. from 1615 to 1622
Portrait of Thomas Howard, 2nd Earl of Arundel (1585-1646) Importance
Portrait
Dimensions : 54 cm x 67 cm
from 1629 to 1630
Saint Bavo about to receive the Monastic Habit at Ghent Importance
Thème religieux
Dimensions : 108 cm x 41 cm
approx. from 1616 to 1623
The Judgement of Paris Importance
Judgement of the Goddesses
Thème mythologique
Dimensions : 1,74 m x 1,34 m
approx. from 1600 to 0
Portrait of Ludovicus Nonnius (1553 - 1645) Importance
Portrait
Dimensions : 92 cm x 124 cm
near 1627
An Autumn Landscape with a View of Het Steen in the Early Morning Importance
Paysage
Dimensions : 2,29 m x 1,31 m
near 1636
Portrait of Susanna Lunden (?) Importance
"Le Chapeau de Paille"
Portrait
Dimensions : 55 cm x 79 cm
approx. from 1622 to 1625
A Lion Hunt Importance
Scène extérieure
Dimensions : 106 cm x 74 cm
approx. from 1616 to 1617
A Wagon fording a Stream Importance
Scène extérieure
Dimensions : 70 cm x 47 cm
approx. from 1625 to 1640

Antoine van Dyck (Antoon van Dyck) (1599-1641)
Charity Importance
Allégorie
Dimensions : 1,08 m x 1,48 m
approx. from 1627 to 1628

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